Dewey Phillips - Just about every Elvis fan knows the name as that of the disc-jockey who first played Elvis' That's All Right on his 'Red, Hot and Blue' radio programme. Portions of Content provided by Last.fm. Streaming service and player provided by Triton Digital. While the rank order for the total and heavy listeners is the same, both Pandora Internet Radio and iHeartRadio are much more heavily used on a monthly basis among heavy radio Triton Logo. Edison Research & Triton Digital Heavy radio listeners are much more likely to use the two brands that position themselves around radio.Mitsubishi Triton 2013-2015 (MN) Head Unit Installation Kit includes. The store is still in business today.High-quality Complete Car Stereo Upgrade kit for your Mitsubishi Triton 2013-2015 (MN) Head Unit Installations kit. As Elvis became a successful artist in his own right, it is reported that he would stop in Pop Tunes to find out how well his records were selling. As a teenager, Elvis spent a great deal of time in the store, immersing himself in the Memphis music scene. It’s flexible, built to scale, easy to use, and 100 owned and operated, which means that your audio is always delivered at the highest quality, and never a burden on you or your team to implement or maintain.Above, Poplar Tunes (also known as Pop Tunes) is record store located just a short distance from Elvis' Lauderdale Courts apartment.Before Dewey came onto the scene, I was hearing what my parents listened to, the hit parade. A heavy drinker and longtime drug user (mainly painkillers and amphetamines, which contributed to his manic on-air behavior), Phillips died of heart failure at age 42 onSeptember 28, 1968.Dewey Phillips & Elvis Presley Ellis Auditorium, Memphis February 6, 1955Jerry Schilling : I had been listening to Dewey Phillips on the radio since I was 10 years old. He spent the last decade of his life working at smaller radio stations, seldom lasting long at any. In July 1954, he was the first DJ to broadcast the young Elvis Presley's debut record, That's All Right / Blue Moon Of Kentucky (Sun 209), and got Presley to reveal his race in an interview by asking which high school the 19-year-old singer attended (knowing that, because of segregation, his audience would readily know what race attended which schools).Though Phillips was not involved in the payola scandals of the time (as was Freed), he was fired in late 1958 when the station adopted a Top 40 format, phasing out his freeform style. He played a great deal of rhythm and blues, country music, boogie-woogie, and jazz as well as Sun Records artists. However, he also had a keen ear for music the listening public would enjoy, and he embraced both black and white music, which was abundant in post-World War II Memphis, a booming river city which attracted large numbers of rural blacks and whites (along with their musical traditions).
But, rock and roll was the music that was dangerous.We can never forget that rock and roll was born out of segregation. You've got country, rhythm and blues, rockabilly. All that stuff was a big influence on Elvis, too.When you think of how diverse Elvis was, I mean, look at the first album. He'd play everything - R&B, Dean Martin, Little Richard, The Platters. But, around that time, there was a group of white kids who were starting to listen to the rhythm and blues that Dewey Phillips was playing. Hi fi musicWhen 'That's All Right Mama' came on the radio, it was so exciting. Dewey played predominately black music. He had to say Humes High School, because the audience would then know that he was white. In the middle of all of that, Dewey Phillips played a record called 'That's All Right Mama' by a boy from Humes High School. It was a totally segregated society. Our parents would have grounded us forever if they found out. Triton Radio Full Of PeopleI told him he'd have to wait and he said OK. He came in, said he wanted to make a record. The office was full of people wanting to make personal records. When Elvis came into our studio, It was little more than a glorified barn, he wanted to cut a private disc for his mother's birthday.Marion Keisker (secretary, Memphis Recording Service): It was a busy Saturday afternoon. It was just the only place them weirdo could go.Jud Phillips (Vice president, Sun Records): He was just a long-haired kid who used to hang around the corner drug store. I think that is the main thing that made it happen. The only two thing I heard Elvis do when he came in was My Happiness and this Ink Spots thing. I said,'Who do you sound like?' He said,'I don't sound like nobody'.Jud Phillips: My brother Sam met him and was quite impressed with his performance, although with that long hair and old blue jeans he looked pretty wild.Sam Phillips (co-owner Memphis Recording Service): I was in the control room. I said, 'What kind of singer are you?' He said, 'I sing all kinds'. Triton Radio How To Get HoldHe wasn't happy with any of the songs we suggested. That might have been the end of it, but something stirred Sam's interest.Jud Phillips (co-owner, San Records): That session turned out to be a mighty frustrating business. Phillips' office before he'd gotten off the line.4 July 1954: Presley rehearses at Sun Studios with Scotty Moore and Bill Black.Marion Keisker: We got Elvis to come in, but he couldn't do the song to satisfy Sam. He mentioned Big Boy Crudup's name, and maybe others too/ All I know is, I hung up and ran 15 blocks to Mr. He didn't seem too enthusiastic, but I think that was because he wasn't at all sure of his own ability.Sam Phillips: I wrote his name down, how to get hold on him, and put it on the little old spindle upfront as we were going out of the door.26 June 1954: Sam Phillips rings Presley and invites him to Sun Studio to make a professional recording.Marion Keisker (secretary, Memphis Recording Service): Almost a year after Elvis recorded My Happiness, Sam got all excited about a new song he'd found, but couldn't find anyone to sing.Sam Phillips: I'd run across a ballad written by a prisoner in the Tennessee state pen and I wanted a crooner.Marion Keisker: I mentioned Elvis to him again.Elvis Presley: 'You want to make some blues?' he suggested over the phone, knowing I'd always been a sucker for that kind of jive. We just needed enough music to see what Elvis sounded like on tape, 'cause the first recording he did was on acetate. That's the only reason there was just Bill Black and myself in the studio. I said, 'Now, he's really nervous and timid and extremely polite'.5 July 1954: Presley records That's All Right, Mama, at Sun Records.Scotty Moore (guitarist): It was just an audition. And I said, 'Now, I've got a young man and he's different,' I told him and Bill to go by and work with Elvis a little. I decided he needed a couple pf good rhythm men back of him so I called Scotty and told him to get hold of Bill. We were used to playing with more musicians involved, y'know. I Love You Because was the first thing we put on tape. Did he sing this kind of song or tempo better?We tried four songs. Try to find a place to start, and do it again'.So we kinda talked it over and figured out a little bit what we were doin'. Sam had the door to the control room open, and stuck his head out and said, 'What are you doing?' We said, 'We don't know'. Then Bill Black picked up his bass and began acting the fool too, and I started playing with them. The first two or three things were put on tape when we were strictly just doodling, looking for a sound.Elvis Presley: This song popped into my mind that I had heard years ago, and I started kidding around with it.Jud Phillips: It was an old rhythm and blues number called That's All Right, Mama, and at once things started going right.Scotty Moore: We were taking a break and, all of sudden, Elvis started singing this song, jumping around and acting the fool. When we lucked in on that, I realized I was putting everything I knew into practically every song, trying to play some rhythm, some lead, fill notes, y'know. Elvis was joking around, just doing what come naturally, what he felt.Sam Phillips: I said, 'Right then, that's it!' I knew we had it. It wasn't Sam tellin' him what to do. It wasn't any great thing. It was basically a rhythm record. 'Bout the third or fourth time through, we just cut it.
0 Comments
Leave a Reply. |
AuthorMegan ArchivesCategories |